In the continuing saga of Bella the Renegade Jeep, I called the dealership yesterday and was told they’d “sent the part in the wrong color” and were trying to figure out how to paint it and would be coming up with a new estimate. My post-covid assertive self said, “Hold your horses, cowboy.” I didn’t say those exact words. I said. “I’m already paying you $800 I’m not paying you more. I don’t care what color it is.” The (I now know) really nice kid on the other end of the phone said, “OK.”
A couple hours later they called and told me my car was ready. In the meantime I’d gotten blisteringly angry thinking they’d ordered the wrong part and had expected me to pay for their mistake. Grrrrrrrrrr but no. The shuttle driver came and picked me up, and I learned all the parts come in primer gray. Cool. It’s a lot better to know they were trying to do the right thing than think they were trying to rip me off — but they should have called in the first place and asked me what I wanted them to do instead of going ahead. But maybe they were going to call.
I’ve learned by now that no one ever knows what’s going on. Bella has a unique back end now with a gray spoiler and a door that will open. I hugged Bear close thinking we’ll finally be able to go out together. Silly? Maybe but what’s life made of? Karaoke?
In other news — lots of news yesterday top most, maybe, Finland is now in NATO. I recently watched a movie I saw a while back — Local Color. It’s about an old Russian emigre artist and a young wannabe American artist. The old artist is a representational artist in the 70s which was not the big boom in representational art the early 1900s were. The old artist is bitter because of that, his impressionist paintings aren’t selling any more, and all the art conversations are about the superiority of abstract painting. It’s a good not great movie with a story and acting and everything. A lot of what the old guy says I believe — that good art communicates something and offers a shared experience. I also believe it can stand on its own without someone explaining it. I’m not the god of this; this is just me. I am a representational artist and I will never be anything else. I paint actual, recognizable, things. It doesn’t mean I don’t appreciate abstract art — I do — but it’s not me.
A friend asked me that straight out last summer, “What’s your obsession with reality?” as she looked at a painting. I remember being a combination of irked and amused by that question and I still think that she didn’t know what she was looking at. I don’t think any artist paints reality. Every painting is an abstraction even if it is recognizably a painting OF something.
My friend Michael, Lois’ husband, is blind. Before he was blind, he aspired to be a painter. He’s studied art more than I have (or will). He gave me the big canvas on which I painted the crane among the willow saplings.
I want to show him my new paintings, but he can’t see. He can feel, however, so while he was here I put a couple paintings where he could feel them and I tried describing them. Michael knows I paint, and I’m sure my house smells of linseed oil, even if just a little bit. I know Michael likes talking about painting even though he can no longer paint. I’m not sure I would if I were in his moccasins, but he does. We agreed that a painting needs a tactile quality.
I don’t know how well I did “showing” the paintings with words. Michael knows colors, and I could have done better with that. The color he hasn’t seen is the lapis ultramarine and I’ve tried to describe it, but I don’t think he believes me. Synthetic ultramarine is very intensely blue, but lapis ultramarine isn’t. I did describe the moments in life that led to the paintings. Somehow that seemed relevant; if Michael could imagine the scene, the place, and the feeling he could “see” the painting even if just in his own terms. And, after seeing how he could actually remember the complex menu at the restaurant as his wife read it, I knew he’d follow my words even though I probably wouldn’t remember them. At one point he said, “I wish I could see them.” My thought then was very strange. “Well you can’t, but we have this. No, it doesn’t equal seeing the paintings but it’s not nothing.”
I didn’t say that out loud and the thought shocked me a little bit until I realized that is the mantra with which I make peace with my physical limitations. “Well, Martha, you can’t. But you can do this.”
So, $800 to fix Bear’s car.

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